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First Row: Toma
Shian Sensei - Soke of Seidokan Karate
Second Row: Tamae Shigemitsu Sensei - 9th Dan (lt) and Boulahfa
Mimoun Sensei - 8th Dan (rt).
1997
Awase Okinawa Hombu Dojo |
Shian
Toma Sensei was born on November 26, 1929 under the astrological sign
of Sagittarius. He is married, has five children, and is a grandfather.
Toma Sensei's son holds the rank of 6th Dan in Kendo and is a member
of the Okinawan Kendo Team, having been on numerous occasions the Okinawan
Kendo Champion. He continues his profession as a police officer. Toma
Sensei had his first dojo in the city of Awase. Later he moved his
dojo to Koza (currently Okinawa City) where it has been for a long time,
near the local US Air Force Base at Kadena where sensei worked as a bus
driver. He established his dojo outside of Gate 2 just two blocks to the
left. It originally started out as a restaurant but when it did not work
out well it was converted into the Seidokan Hombu Dojo which lasted until
approximately 1994. Toma Sensei lived upstairs above the dojo.
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Nearby still is the dojo of Toguchi Sensei of (Shorei-kan) Goju,
which then (1987) was located in Goya in a military zone until it was
later transferred into a top floor building closer to Kadena Air Base near
Gate 2. The dojo is still operated, as it was then, by Kuba Sensei.
Toma Sensei retired from his job in 1989. He belongs to a generation of
Instructors who hold to the old ways (methods) of teaching. He speaks very
little and does not transmit his knowledge with ease. In this respect, he
is like the Masters of old. After training with him and asking him
questions about his instructors or other items of curiosity he would never
answer. However, on more than one occasion after class at night during the
early morning hours he would say "Ask all that you want there is
no problem." And this is what I have continued doing over the
years. Through personal experience over the years I saw that this really
meant that Toma Sensei would not discuss such matters DURING the training
sessions, but rather in the wee hours, for those who were diligent and
dedicated enough to stay with him into the late hours, when he was in a
more relaxed disposition and such matters could be more openly discussed.
Of Nakamura Shigero Sensei he would tell me, "When he
taught at the gym it was not a problem but when you began to train Karate
with him he would have others say upon inquiry of his whereabouts that he
was out to lunch or he was at the gym". I hope I understood
correctly, as he seemed to imply he wanted us to keep others away from him.
Toma Sensei would also tell me that Nakamura Shigero Sensei never
performed "dachi wazas" (or formal stances). But we'll
talk more about Nakamura Sensei another time. Of Hohan Soken
Sensei he would tell me with great pride how one day he was able to
disarm his BO from him with a block he was working on.
Toma Shian Sensei began his martial arts training at the age of 16
in the city of Osaka Japan where he lived for approximately a year during
the Second World War. Upon his return to Okinawa, he began to study under
the direction of his classmate and friend Sokin Shinjato Sensei,
who of all his friends the most qualified to teach. Shinjato Sensei was a
student of the famous Miyagi Choju Sensei (1888 - 1953) who was the
founder of Goju Ryu. He was also a student of Tatsuo Shimabukuro Sensei,
who passed away in 1975, the founder of Isshin Ryu, as well as having
studied with various other Okinawan instructors. Toma Sensei tells
on numerous occasions that in the beginning stages of Karate there were
not so many styles or systems like those that we have today. In
those days, it was all called Okinawan Karate.
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Convention
Center - Okinawa 2nd Bugei
First Row Center: dark clothes with hat -
Toma Sensei
to his left: Kanasiro Sensei -- to his right Mimoun Sensei,
Yamaguchi Sensei |
Another interesting aspect
of Karate is in the beginning is that the majority of the instructors only
knew a small number of katas. In fact, it was not unusual to find an
instructor who only taught one kata. However, as they made
comparisons and revisions to the katas, the numbers of katas grew. Shinjato
Sensei taught the following katas: Seisan, Sanchin and a Bo kata.
It was from Grandmaster Miyagi Sensei that Shinjato Sensei
learned Sanchin, which emphasizes hard internal breathing. This Sanchin
differs from today's Sanchin in its breathing as well as its movements of
the hands. Shinjato Sensei, who was a police officer by profession,
studied directly under Grandmaster Miyagi Sensei while he taught at the
Okinawan Police Academy.
One incident occurred when Toma Shian Sensei had the opportunity of
demonstrating Sanchin kata before Grandmaster Miyagi Sensei during a
training session at the Police Academy. We should not confuse Shinzato
Jinan Sensei who represented Miyagi Sensei in Japan in the first
demonstration of Karate that took place and that which later would promote
the name of Goju Ryu. Regarding the reduced number of katas, we should not
presume that they did not practice much on kata. Toma Sensei admits and
comments that he dedicated an entire year to learning and practicing of
the kata Seisan before he could begin his study of Sanchin. Perhaps
this is why the ancient instructors in Okinawa were so strict in the
practice of kata.
Through out the 60's, Toma Shian Sensei associated himself with the All
Japan Karate Association (A.J.K.A). At this time he was a student of Toma
Seiki Sensei, and his training partners during this time period were Seikichi
Odo Sensei and Kise Fusei Sensei, among others. Seiki Toma also was a
student of the Great Grandmaster Shimabukuro Zenryo Sensei.
I had once had an interview with Shimabukuro Eizo Sensei,
10 Dan Grandmaster and brother of Shimabukuro Tatsuo Sensei, founder
of Isshin Ryu Karate. Both were students of Kyan Chotoku Sensei. I
had the opportunity to ask about Toma Seiki Sensei and he (Eizo) told me
that he had introduced him to Shimabukuro Zenryo Sensei, a student of Kyan
Chotoku Sensei.
Kyan Sensei was nicked named as CHAN MIN (1870 - 1945) (translators
note: Also pronounced Chan Migwa. Chan - the Chinese
pronunciation of Kyan. Migwa - this means "Monkey Chan",
referring to his abilities). He told me that Kyan Sensei was very skilled
at climbing trees and jumping from one to another, hanging by his
feet with his head downward so he could defend himself against potential
enemies. These techniques Eizo Sensei mastered to perfection as photos of
him show.
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(Left
to Right) Yamasiro; Toma Shian Sensei, ...unknown..., Mimoun
Sensei and Nakasone.
Nakasone (President of Shureido). 1977, Sayanora Party at
the World Championships celebrated in Okinawa. |
Okinawa has always had a
robust plant life but now, because of the population expansion, is losing
much of its growth, as is sadly occurring in other parts of the world.
Eizo Sensei was the youngest ever awarded 10th Dan in Okinawa
having achieved this feat at the young age of 36. The karate style of Kyan
Sensei is generally known as Kobayashi Ryu, a branch of Shorin Ryu. Other
students of Kyan Sensei were: Shimabukuro Eizo Sensei - Director of
Kobayashi Shorin Ryu, Nagamine Shoshin Sensei - founder of the
Matsubayashi Branch of Shorin Ryu, Nakazato Joen Sensei and Arakaki
Ankichi Sensei. Great Grandmaster Shimabukuro Zenryo Sensei
died in 1969.
Toma Shian Sensei learned the majority of his katas from Toma
Seiki Sensei, which he still practices and teaches today. These katas
are Seisan, Wansu, Anaku, Passai Dai, Passai Sho, Pinan (1-5), Naihanchi,
Chinto, Gojushiho, Kushanku, Sai kata and the Tonfa kata. The Seidokan
Kama kata, as Toma Shian Sensei related it to me, was learned from an
elderly gentleman who each time would demonstrate it and teach it
differently so that after a period of time he was able to finish learning
it in an unorthodox manner. This was all that Toma Shian Sensei has shared
concerning Shorin Ryu.
During the 60's, there were some significant discrepancies in the All
Japan Karate Association. The point of controversy was the
traditional method of full contact kumite utilized in Okinawa. This type
of kumite in Okinawa used body armor much similar to that used in Kendo (Japanese
fencing). It was less brutal combat than Kendo and the knockouts from
combat were more frequent. "Though not as brutal as kendo - Okinawan
Kumite was brutal enough that it required body armour as compared to
the A.J.K.A. kumite standards, which were non-contact based. Though
not as frequent as in Kendo, knockouts were a common occurrence in
Okinawan Kumite."
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Inauguration
of Shuri Castle, destroyed during WWII.
Below center - Toma Shian Sensei, to his right Boulahfa Mimoun
Sensei |
Since the A.J.K.A. was the
first to integrate Okinawan Karate with Japanese Karate, conflicts arose
between the various instructors of Okinawa, which called their own martial
arts more appropriately "Ti", "te", or even Kenpo.
The popular method of kumite used in Japan and still used today is
non-contact. Generally, this was the accepted method of the A.J.K.A. for
kumite that was taught, practiced, and officially authorized. Many opted,
like Toma Shian Sensei, for the older method of hard contact kumite.
These instructors felt that this was the true way of Okinawan karate. Toma
Sensei had a good reputation of being a strong karate-ka and a strong
fighter both in and out of the dojo. The discrepancy was also in regard to
the name of Karate - which they wanted to call Kenpo, playing with the
kanji in Okinawan common usage. They pushed for the ownership of what was
uniquely their own. Because of this, they broke away from AJKA. Desiring
to return to the old methods, they broke away from the A.K.J.A.
and formed the Okinawan Kenpo Association headed by Nakamura Shigero
Sensei and Shimabukuro Zenryo Sensei. Nakamura Sensei was the
first chief instructor and the second president of the Association.
Bunkai
Pinan Shodan
Uke: Boulahfa
Mimoun Sensei (left)
Tori: Toma Shian Sensei (right)
(Kadena Air Base)
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The Okinawan Kenpo
Association grew and flourished for several years and then
dissipated with the death of the founding two instructors. In 1969
the most famous and sought out instructors on Okinawa were members
of the Association, some of whom at that time had other organizations of
their own, such as those of Soken
Hohan Sensei, Kina Sensei, Uehara Seikichi Sensei, Toma Seiki, Higa
Seitoku Sensei, Ueichi Kanei Sensei and many others. Still today the
school directed by its founder Nakamura Shigeru Sensei bears name of Okinawa
Kenpo Karate which has nothing do with the previous organization
except for the use of the word Kenpo. It was during this
period while the majority of the instructors were under the same
organization that it produced the majority of the exchanges of techniques
and the opportunity for many of them to work with other instructors and to
change instructors and schools.
During this period, Toma Shian Sensei (1967) entered into the
membership of the All Okinawa Karate Kobudo Association
headed by Grandmaster Uehara Seikichi Sensei. Uehara Sensei
continues to head up the Motobu Ryu system. The name Motobu Ryu had to be
changed from its prior name to Motobu Udundi Kobujutsu, since the first
name had been registered by the son of Choki Motobu and by which the style
of Motobu Choki Sensei is known. Motobu Chosei Sensei, the
son of Motobu Choki, is the student of Uehara Sensei and currently the
vice president of Motobu Udundi. Motobu Udundi is very little known
martial art of Okinawa, which strongly resembles the old method of
fighting utilized by the Japanese Samurai. It resembles Aikido
in its unarmed methods, though defenses are more linear.
The throws and locks/joint manipulations of Motobu Udundi are more similar
to the ancient aikijujitsu of Japan, to draw a comparison. As far as the
punches and kicks, the similarities to karate are very scant since blocks
don't exist, or are avoided in any case. There are no set stances and
everything is done while walking. There are
also no katas, although the instructors did know katas from other systems,
such as Motu di Ichi, Ufuken etc. The majority of the basic katas were
created by Uehara Seikichi Sensei because of the need of evolution
more than for the pure teaching purposes. In respect to weapons training
there is a strong influence from China.
Uehara Sensei learned his art from Motobu Choyu Sensei, the older
brother of the aforementioned Motobu Choki Sensei. Motobu Choyu
Sensei learned his techniques from Bushi "Warrior" Sokon
Matsumura Sensei. Originally, these techniques with and without
weapons were introduced in our day as Motobu Udundi. Motobu Udundi
is also known by some as Go-ten-Te, which literally translates as Palace
Hand. This was because Motobu Udundi has had a long relationship
with the Okinawan Kings over the centuries. I should point out that
the weapons used by Uehara Sensei included those weapons normally found in
traditional Japanese Bu-Jutsu Schools. These weapons include the
Katana (sword), Yari (spear), and the Naginata (halberd). Therefore,
Motobu-Udundi Kobujutsu and Bu-Jutsu are historical arts along the lines
of Japanese Samurai tradition. Also utilized are the traditional Okinawan
weapons such as the Sai, Tonfa, Nunchaku, and the Kama, etc. From China
the Ryoba, Banto, the Yamaraji etc. From Uehara Sensei, Toma
Shian Sensei learned the aforementioned throws and locks, the usage of
a large arsenal of weapons, and Iai-Jutsu (the art of unsheathing the
sword).
Today, all these varied techniques are still incorporated in Seidokan.
With the inclusion of all these techniques, Seidokan has become a complete
fighting art, which includes Karate, Toide, Kobudo and the techniques of
the Katana (Iai). It is an art that requires of the student an open,
strong, flexible and patient mind. Seidokan according to Toma Shian
Sensei himself is a "JU" (soft) style. The transitional
jumps to the various stances such as the Neko Ashi Dachi, or the rapid
movement from one position to another demonstrate that one must practice
the style as like if they were small, agile and fast. Remember that Kyan
Chotoku Sensei was a small person.
Today there are many schools located throughout the world: Spain, Great
Britain, Greece, New Zealand, Columbia, Norway, Belgium, Zambia, Zimbabwe,
etc. Besides, Okinawa, Japan, and the United States which all teach
this complete Martial Arts created by a man named Shian Toma.
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Seated
(rt - lt) Sensei Shian Toma;...; Jerry Hobbs; Bob Teller.
Standing (rt - lt) Leovigildo Marin; Mike Nemeth, Mimoun Boulahfa;
... ; Rick Pasceta; Bruce Heilman' ... |
I first met Toma
Sensei in the United States in Philadelphia thanks to the introduction
and recommendation of my friend and fellow practitioner Jerry Hobbs. In
this country, the annual convention with all the members of the system
was being held. I met Jerry Hobbs in Greece in 1984 during some
international championships. We both performed numerous demonstrations. I
assisted him in his demonstration as his uke and he assisted me in the
execution of the Judo Kata, Itsutsu no Kata. It was Jerry Hobbs that
was responsible for giving me all the basic knowledge of Seidokan, for
which I truly thank him with these few lines. It was an intense week
during which we lived at Bob Teller Sensei's (7th Dan) home, the
event organizer. The last days, after the demonstrations and the
farewell dinner, we retired to our rooms at the Holiday Inn. I say this
because normally in the United States, Gatherings or Championships are
celebrated at the banquet halls of this type of hotel, which for me this
was something totally new. Returning to the story, while I was in my room,
Sensei sent an invitation for me to come to his room for some drinks,
which I took to mean my acceptance as a student by Toma Shian Sensei.
Later we continued our seeing each other once or twice a year sharing many
hours of training and conversation.
Editorial
Note: This article, originally written in Spanish by Mimoun Sensei
was translated under the collaboration of Miguel Jurna Sensei and
Eddy Shumacher Sensei . Both are active practitioners of Seidokan
Karate who have attempted to translate this article keeping with the
original intention of the author. Wording was rearranged as
necessary (or inserted) for grammar, clarity and the original intent of
the author. Mimoun Sensei was consulted at various levels of the
translation to insure the accuracy of the contents was kept. Okinawan
names are written in the Okinawan format.